I always have to marvel at the way young
women dress in this town. It is clear that many a young women must be spending
quite a bit on creating a special Windhoek
look. We have talked about hair quite a few times already. For practically
every woman on the streets of Windhoek
has her hair either straightened or weaved.
The few who do not have hair – or HBOs as I call them – must be either
dirt poor or just too negligent or backwards.
But then there are the clothes. And I have
a distinct feeling that it no longer suffices to be clean, neat and fitted. The
women that I see in town are all dressed up to the nines. Either in power suits
or in outfits that strongly resembles evening and ballwear even at the sunniest
and hottest time of the day. But the most astounding thing is the shoes. I
cannot stop wondering how it might be possible for so many women to walk – even
make progress – in the kinds of shoes that I see on the streets and on the
rocky sidewalks of our town.
It is not uncommon for young students
either from Polytechnic or UNAM to teeter to town in their high-heeled shoes,
sometimes even in their stilettos.
I am completely gobsmacked by this
spectacle. For surely this is what it is. A cultural phenomenon! But where
should this come from? I cannot imagine that girls in the rural areas are
wearing similar shoes when they go to town, whether town is Rundu, Ongwediva,
or Mariental.
Somehow I am strangely reminded of the
lotus feet of ancient China
which Wikipedia makes me understand, ancient Chinese men found so alluring. The
tightly bound and mutilated feet became a symbol for the status of men in the China of the
time. Mutilating the feet of a woman meant that that she could barely walk – or
if she walked, could only walk in tiny dainty little steps that men found so
enthralling. Not only could women with lotus feet hardly walk, they certainly
could not work and this directly reflected on the status and power of her
husband.
Now back to present-day Namibia . Could
there be a similar meaning in the torture that so many young girls have to
endure while wearing the highest, most “sexy” stilettos in town? I am sure that
if asked, every single tortured young woman would claim that she does it for
herself. And that she feels good in these shoes. But still – forever the
sceptic-, I just cannot shrug the feeling that there is more to it than that.
Could it, for instance be that wearing
well- or precariously-heeled shoes, even while having to foot the distance
between campus and town, has become a symbol for having establishing a distance
between a more rural upbringing and the newly-found sophistication of urban
existence? For surely, our farm-mouse sisters will be working the fields in
nothing other than flip-flops – should they be so lucky to have
flip-flops. Otherwise they would be bare
feet.
The stiletto, on the other hand tells of
having embraced a lifestyle emulated from top international celebrities like
Beyoncé, Rhiana, Gaga and the like. It exudes worldliness, an urbane and
stylish lifestyle. Somehow I have the idea that walking to town in stilettos is
a post-modernist statement – in other words an absurd and ironic self reference to
modernity urban sophistication.
The stiletto of course is also about sex.
It is about being sexy or being perceived to be sexy. These are bedroom shoes
that have found their way to the rough and dusty streets of Katutura, Khomasdal
and Windhoek West. Yes, they are still teetering, but eventually, they’ll find
their way to the malls of our city. Power to our well-heeled sisters!
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